Where it started
Having worked in the commercial print industry for most of my career played a major part in forging my interest in photography. Unlike many photographers I have only ever worked with digital cameras, starting with a Canon IXUS way back in 2004.
While living in Brighton I decided to embark on a fitness journey. I didn’t fancy the gym but I began walking daily from my home on the edge of the South Downs National Park, where the sprawling fields beckoned me. Each stroll offered a chance to connect with nature, and I found myself captivated by the sight of cows grazing peacefully in the meadows. This simple yet profound experience sparked a new interest in photography; I began capturing these moments with my camera, experimenting with angles and lighting. The cows became my subjects, their serene presence transforming my walks into a creative exploration, blending physical activity with a newfound passion for the art of photography.
As the technology improved and my interest grew I graduated through the Canon product range from a Canon 400D to a Canon 50D then to one of my favourites, and my first full-frame camera - the Canon 5D MK2. I now use the Canon EOS R5 camera
In 2019, I relocated to Barmouth to focus on landscape photography and opened Verdun House Gallery on the town's main street in December 2022. I am a loyal Canon user, relying on my Canon R5 camera for most landscapes, and have recently incorporated drone photography into my work.
I only shoot in RAW and process my images in Adobe Lightroom and Photoshop.
No sky replacement or any other composition techniques are used unless stated.
In my studio my screen and printer are calibrated to ensure maximum colour accuracy.
Prints are printed in house on matt paper - I currently use the following papers -
- Permajet Heritage Range Smooth Rag 310gsm Fine Art Paper
- Permajet Heritage Range Etching 310gsm Fine Art Paper
- Innova Natural Soft Texture 310gsm Fine Art Paper
These papers contain no optical brighteners which means they won't fade over time. The inks are also guaranteed for over 85 years ensuring that the colours stay vibrant for as long as possible.
And lastly, when framing I use acid-free tapes and barrier boards to back the prints, again ensuring longevity.